WRITING QUOTES III
quotations about writing
Sex has to be good for both partners. That is also the key to writing both fiction and nonfiction. It has to be a good experience for both partners, the writer and the reader, and it is a source of distress to me to observe how frequently writers ignore the pleasure of their partners.
SOL STEIN
Stein on Writing
A little while back I observed that many people are put off writing because they fear committing one or more of the innumerable errors that seem to lie in wait for them at every step of composition. But if one understands that a sentence is a structure of logical relationships and that the number of relationships involved is finite, one understands too that there is only one error to worry about, the error of being illogical, and only one rule to follow: make sure that every component of your sentence is related to the other components in a way that is clear and unambiguous (unless ambiguity is what you are aiming at).
STANLEY FISH
How to Write a Sentence: And How to Read One
Before I write down one word, I have to have the character in my mind through and through. I must penetrate into the last wrinkle of his soul.
HENRIK IBSEN
letter to Munich editor Georg Conrad
A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do.
ANDY ROONEY
"A Few Words from Andy Rooney: A Face of America Commentary"
Good writing is supposed to evoke sensation in the reader, not the fact that it's raining, but the feeling of being rained upon.
E. L. DOCTOROW
attributed, Stein on Writing
If I've already figured out how the book ends, why bother to finish writing it? My writing isn't terribly efficient, because I often have to backtrack a bit when I change my mind, but I like the sense of discovery that comes from not knowing what happens next.
PATRICIA BRIGGS
interview, Bitten by Books, March 30, 2010
It is always vaunting, of course, to imagine yourself inside another person, but it is what a story writer does in every piece of work; it is his first step, and his last too, I suppose.
EUDORA WELTY
One Writer's Beginnings
There would be punishment and pain, and there would be happiness, too. That was writing.
MARKUS ZUSAK
The Book Thief
Whoop! 6K words, 21 pages, and 8 miles on the treadmill -- DONE! #ProductiveDay #LetThereBeIceCream
VICTORIA LAURIE
Twitter post, December 21, 2014
Metaphors get under your skin by ghosting right past the logical mind.
JANE HIRSHFIELD
"The Art of Metaphor"
A true piece of writing is a dangerous thing. It can change your life.
TOBIAS WOLFF
Old School
I don't give a damn what other people think. It's entirely their own business. I'm not writing for other people.
HAROLD PINTER
interview, December 1971
In his prime the Hollywood screenwriter was one of the tragic figures of our age, evoking the special anguish that arises from feeling sorry for oneself while making large amounts of money.
J. G. BALLARD
A User's Guide to the Millennium
There was a kind of poetry I was seeking in my prose, word to be laid against word in just a certain way, a kind of word color, a march of words and sentences, the color to be squeezed out of simple words, simple sentence construction.
SHERWOOD ANDERSON
Memoirs
To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn't know that somehow in the past I had written a book, I would have given up.
V. S. NAIPAUL
New York Times, April 24, 1994
Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its power.
JOAN DIDION
Joan Didion: Essays & Conversations
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
YEVGENY ZAMYATIN
The Goal
There's no such thing as perfect writing, just like there's no such thing as perfect despair.
HURAKI MURAKAMI
Hear the Wind Sing
Writing by hand, mouthing by mouth: in each case you get a very strong physical sense of the emergence of language--squeezed out like a well-formed stool--what satisfaction! what bliss!
WILLIAM H. GASS
The Paris Review, summer 1977