WRITING QUOTES IX

quotations about writing

After all, the original way of writing books may turn out to be the best. The first author, it is plain, could not have taken anything from books, since there were no books for him to copy from; he looked at things for himself.

WALTER BAGEHOT

Literary Studies

Tags: Walter Bagehot


You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.

MICHEL HOUELLEBECQ

The Paris Review, fall 2010

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You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.

PETER ABRAHAMS

End of Story

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Write as the wind blows and command all words like an army!

HILAIRE BELLOC

The Path to Rome

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WHEN YOU LEAVE YOUR TYPEWRITER YOU LEAVE YOUR MACHINE GUN AND THE RATS COME POURING THROUGH.

CHARLES BUKOWSKI

Notes of a Dirty Old Man

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Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

Tags: Amy Hempel


The text you write must prove to me that it desires me.

ROLAND BARTHES

The Pleasures of the Text


The privilege of being a writer is that you have this opportunity to slow down and to consider things.

CHRIS ABANI

interview, UTNE Reader, June 2010

Tags: Chris Abani


The art of writing is not, as many seem to imagine, the art of bringing fine phrases into rhythmical order, but the art of placing before the reader intelligible symbols of the thoughts and feelings in the writer's mind.

GEORGE HENRY LEWES

The Principles of Success in Literature

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Prison always has been a good place for writers, killing, as it does, the twin demons of mobility and diversion.

DAN SIMMONS

Hyperion

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My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane.

GRAHAM GREENE

International Herald Tribune, October 7, 1977


I have not felt in a humor to entertain you if I had taken up my pen. Perhaps some unbecoming invective might have fallen from it.

ABIGAIL ADAMS

letter to John Adams, May 7, 1776

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Fiction is the only way to redeem the formlessness of life.

MARTIN AMIS

Essays


Clearly there is no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. An artist, in my definition of the word, would not be someone who takes sides with the emperor against his powerless subjects.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra


Young writers if they are to mature require a period of between three and seven years in which to live down their promise. Promise is like the mediaeval hangman who after settling the noose, pushed his victim off the platform and jumped on his back, his weight acting a drop while his jockeying arms prevented the unfortunate from loosening the rope. When he judged him dead he dropped to the ground.

CYRIL CONNOLLY

Enemies of Promise


Writers, like teeth, are divided into incisors and grinders.

WALTER BAGEHOT

Estimates of Some Englishmen and Scotchmen

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When you invent something, you're drawing on reservoirs of knowledge that you already have. It's only when you're faithful to the truth that something can come to you from the outside.

ELIF BATUMAN

interview, The Rumpus, April 25, 2012

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So it is with all great writers: the beauty of their sentences is as unforeseeable as is that of a woman whom we have never seen; it is creative, because it is applied to an external object which they have thought of -- as opposed to thinking about themselves -- and to which they have not yet given expression.

MARCEL PROUST

Within a Budding Grove

Tags: Marcel Proust


Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -- you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.

ROGER ZELAZNY

introduction, "Passion Play"

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He who will not listen to any advice, nor be corrected in his writings, is a rank pedant.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

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