WRITING QUOTES XXIV

quotations about writing

After being turned down by numerous publishers, he decided to write for posterity.

GEORGE ADE

"The Fable of the Bohemian Who Had Hard Luck", Fables in Slang

Tags: George Ade


If I write novels in a country in which most citizens are illiterate, who then is my community?

CHINUA ACHEBE

Hopes and Impediments: Selected Essays


I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.

ADAM RAPP

interview, Bomb Magazine, spring 2006


The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.

ARISTOTLE

Poetics

Tags: Aristotle


The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.

ROALD DAHL

Boy

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The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

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I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.

MARKUS ZUSAK

"On Top of His Game: SLJ Interviews Margaret A. Edwards Award Winner Markus Zusak", School Library Journal, June 2, 2014

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Without a pen in my hand I can't think.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

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One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.

GRAHAM GREENE

The Paris Review, autumn 1953


The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.

ROBERT STONE

attributed, A Writer's Book of Days


I didn't want to be ignored. I didn't want my books to be ignored. But I didn't really care to cut such a figure either because ... well, it interferes with the business of writing.

SAUL BELLOW

Q & A at Howard Community College, February 1986


Genre categories are irrelevant. I dislike them, but I do not have the casting vote. Writing is writing and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?

TANITH LEE

Tabula Rasa, October 1994


When I write, I go to live inside the book. By which I mean, mentally I can experience everything I'm writing about. I can see it, hear its sounds, feel its heat or rain. The characters become better known to me than the closest family or friends. This makes the writing-down part very simple most of the time. I only need to describe what's already there in front of me. That said, it won't be a surprise if I add that the imagined worlds quickly become entangled with the so-called reality of this one. Since I write almost every day, and I think (and dream) constantly about my work, it occurs to me I must spend more time in all these places than here.

TANITH LEE

author's note, Wolf Tower


The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

ANAÏS NIN

The Diary of Anaïs Nin


You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.

HAROLD PINTER

The Progressive, March 2001

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As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.

ARISTOTLE

Poetics

Tags: Aristotle


In the end, the secret of writing is to be a tortoise, not a hare.

JONATHAN KELLERMAN

"Novelist explains how psychology training honed his writing", USC News, February 25, 2016


I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.

LOUIS AUCHINCLOSS

interview, Bomb Magazine, fall 1997

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The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it."

EDWARD ALBEE

interview with Digby Diehl, 1963


Writing is a conversation, to me. The best kind. You can't get interrupted.

GERALD ASHER

speech at the Symposium for Professional Wine Writers, February 2011

Tags: Gerald Asher